Please note that these are new or recent additions to this series which includes 19 other works found on the archive page.
NOTE! For uniformity, some of these photographs have been cropped from the original paintings. Moving your mouse over will reveal the name of the painting and the actual size. Click on the picture and a larger image and more information will pop up. Please make sure your pop-up stopper is turned off.
» updated March 15, 2011
Firebird - 35 x 28 cm
Takeoff - 61 x 30 cm
Fly Away Home - 40 x 30 cm
NEW
NEW
NEW
Canadian Club - 53 x 71 cm
Struttin’ I - 20 x 20 cm
The Blues - 41 x 41 cm
The AlliaIncoming - 41 x 51 cm
NEW
NEW
NEW
NEW
     
The Alliance - 30.5  x 46 cm
Purple Rain - 50 x 71 cm
Passing Through - 50 x 71 cm
Northern Quartet - 50 x 71 cm
Who're You Lookin' At - 50 x 71 cm
The Voice of Authority - 50 x 71 cm
Good Night, Great Blue - 50 x 71 cm
Hey, Let’s Go Over There - 50 x 70 cm
 
Bluerock Gallery in Black Diamond, AB, is Kathryn's representative for some of the paintings in this series.
Click to visit Bluerock Gallery
 
Also: Aspects of the Wild - Archives | Other Current Project: The Water Series
 

Water-Based Media on Canvas

After years of working in oil on canvas, I initially approached working in water-based media simply as quick preliminary studies for the oils. I quickly became quite absorbed in the unique potential that I found in acrylic and other water media. I enjoy exploring colour, texture, surface and composition in a new and more immediate way, and this has gradually grown into a body of work in its own right, which has taken me in some wonderful new directions. I have drawn from the glazing techniques I use in oil, and re-interpreted it as a means of developing layers on paper to structure the work. Water media allows a greater sense of continuity for me, as I can move from step to step within the process within a tighter time frame. This work has an organic and spontaneous quality that I enjoy, and which seems to have developed a life of its own.

The identifiable images (birds, moths, etc) that I use in these paintings grew from a desire to incorporate a strong, identifiable shape within the formal composition. Birds offer a wonderful formal element to work with – strong shapes and the possibility of implied movement... But beyond this, I have a certain fascination with birds – creatures that seem so utterly different from our own species to the point that they seem full of mystery and intrigue. It is easy to interpret their postures and behaviour through human references, creating a second level of relationship and interpretation within the composition.

 
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